{"id":22,"date":"2016-09-12T09:00:19","date_gmt":"2016-09-12T13:00:19","guid":{"rendered":"https:\/\/www.londonmithraeum.com\/bloomberg-space-archive\/the-mobility-of-facts\/"},"modified":"2017-07-17T08:44:14","modified_gmt":"2017-07-17T12:44:14","slug":"the-mobility-of-facts","status":"publish","type":"post","link":"https:\/\/www.londonmithraeum.com\/bloomberg-space-archive\/the-mobility-of-facts\/","title":{"rendered":"The Mobility of Facts"},"content":{"rendered":"<p>[vc_row][vc_column][vc_column_text]<strong>Exhibition Dates:<\/strong> 30th September \u2013 17th December 2016<br \/>\nThe Mobility of Facts brings together three highly idiosyncratic objects that challenge a conventional notion of sculpture as having fixed concrete form. Each work asserts an unstable presence through distinct approaches to material, construction and scale. One way or another, they all engage with time to activate the contingencies of encounter and affect the viewer physically and psychologically.<\/p>\n<p><a href=\"https:\/\/assets.bbhub.io\/company\/sites\/31\/2017\/06\/The-Mobility-of-Facts-Press-Release.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Press Release<\/a>[\/vc_column_text][vc_single_image image=&#8221;26&#8243; alignment=&#8221;center&#8221; img_link_to_large=&#8221;yes&#8221; img_link_lightbox=&#8221;yes&#8221; img_size=&#8221;large&#8221;][vc_single_image image=&#8221;25&#8243; alignment=&#8221;center&#8221; img_link_to_large=&#8221;yes&#8221; img_link_lightbox=&#8221;yes&#8221; img_size=&#8221;large&#8221;][vc_single_image image=&#8221;24&#8243; alignment=&#8221;center&#8221; img_link_to_large=&#8221;yes&#8221; img_link_lightbox=&#8221;yes&#8221; img_size=&#8221;large&#8221;][vc_single_image image=&#8221;23&#8243; alignment=&#8221;center&#8221; img_link_to_large=&#8221;yes&#8221; img_link_lightbox=&#8221;yes&#8221; img_size=&#8221;large&#8221;][vc_single_image image=&#8221;28&#8243; alignment=&#8221;center&#8221; img_link_to_large=&#8221;yes&#8221; img_link_lightbox=&#8221;yes&#8221; img_size=&#8221;large&#8221;][vc_single_image image=&#8221;29&#8243; alignment=&#8221;center&#8221; img_link_to_large=&#8221;yes&#8221; img_link_lightbox=&#8221;yes&#8221; img_size=&#8221;large&#8221;][vc_single_image image=&#8221;30&#8243; alignment=&#8221;center&#8221; img_link_to_large=&#8221;yes&#8221; img_link_lightbox=&#8221;yes&#8221; img_size=&#8221;large&#8221;][vc_single_image image=&#8221;16&#8243; alignment=&#8221;center&#8221; img_link_to_large=&#8221;yes&#8221; img_link_lightbox=&#8221;yes&#8221; img_size=&#8221;large&#8221;][vc_separator][vc_column_text]<strong>About:<\/strong> Giuseppe Gabellone<br \/>\nlives and works in Paris. Solo exhibitions include: GAMeC Galleria d&#8217;Arte Moderna e Contemporanea, Bergamo (2013), Domaine de Kergu\u00e9hennec, Bignan (2008), Museum of Contemporary Art, Chicago (2002) and Fondazione Sandretto Re Rebaudengo, Turin (2000). Group exhibitions include: Kunstmuseum Lichtenstein, the Centre Pompidou in Paris, Museu Serralves in Porto, Stedelijk Museum voor Aktuele Kunst, Ghent, Bonnefanten Museum, Maastricht, Museo d\u2019Arte Contemporanea of Castello di Rivoli and Galleria d\u2019Arte Moderna, Bologna, Venice Biennale (1997 and 2003), Biennale de Lyon[\/vc_column_text][vc_column_text]<strong>About:<\/strong>Siobh\u00e1n Hapaska<br \/>\nlives and works in London. Solo exhibitions include: Andr\u00e9hnSchiptjenko, Stockholm (2016), Museum Boijmans Van Beuningen, Rotterdam (2015), Hidde Van Seggelen, London (2013), Magasin 3, Stockholm (2013) and Camden Arts Center, London (2007), ICA, London (1996). Group exhibitions include: Towner Art Gallery, Eastbourne (2016), Hazelwood House, Sligo, Azerbaijan Pavilion, 56th Venice Biennale, Abbot Hall Art Gallery, London; Museum Boijmans Van Beuningen, Rotterdam (all 2015), Espace Louis Vuitton, Paris (2014), Crawford Art Gallery, Cork, travelling to Dublin City Gallery The Hugh Lane, Dublin (2012), The Royal Academy of Arts, London (2011), Bloomberg SPACE, London (2003). In 1997, Hapaska took part in Documenta X. In 2001, she represented Ireland at the 49th Venice Biennale.[\/vc_column_text][vc_column_text]<strong>About:<\/strong> Charlotte Posenenske<br \/>\nlived and worked in Frankfurt, where she died in 1985. During her lifetime Posenenske\u2019s work was shown in solo exhibitions at: Galerie Art &amp; Project, Amsterdam (1968), Konrad Fischer Galerie, D\u00fcsseldorf (1967), Galerie Dorothea Loehr, Frankfurt am Main (1961, 1966, and 1968). Her work was recently featured in documenta 12, Kassel (2007) and In &amp; Out of Amsterdam: Travels in Conceptual Art,1960-1976, at MoMA (2009). Other posthumous solo shows include: Chianti Foundation, Marfa (2015\/16), Gallery Melapapadopoulos, Athens (2012), Kunsthaus Wiesbaden (2012), K21, D\u00fcsseldorf (2012), Gallery Nelson-Freeman, Paris (2011), Galerie Konrad Fischer, D\u00fcsseldorf (2011), John Hansard Gallery, Southampton (2011), Artist Space, New York (2010), Museum f\u00fcr Gegenwartskunst, Siegen (2005), Galerie im Taxispalais, Innsbruck (2005), Galerie ak, Frankfurt am Main (1999\/2000), Wolfgang Tillmans\u2019 exhibition space Between Bridges, London (2007), Galerie Mehdi Chouakri, Berlin (2007 and 2008), and Peter Freeman Inc., New York (2008). Posenenske will be the subject of major retrospective at the Dia Art Foundation, New York in 2017.[\/vc_column_text][vc_column_text]<strong>Photo Credit:<\/strong> Siobh\u00e1n Hapaska &#8216;a wolf, an olive tree and circumstances&#8217;, 2014 Aluminium tubing, forged scaffold fittings, 2 military ratchet straps, artificial wolf fur, vibratory motor, electrical components, olive tree.<br \/>\n98 3\/8 x 220 7\/16 x 102 5\/16 in. (250 x 560 x 260 cm) HAP00014<br \/>\nImage courtesy Andr\u00e9hn-Schiptjenko, Stockholm<\/p>\n<p><strong>Photographer:<\/strong> Jean-Baptiste Beranger[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_column_text]Exhibition Dates: 30th September \u2013 17th December 2016 The Mobility of Facts brings together three highly idiosyncratic objects that challenge a conventional notion of sculpture as having fixed concrete form. Each work asserts an unstable presence through distinct approaches to material, construction and scale. One way or another, they all engage with time to activate [&hellip;]<\/p>\n","protected":false},"author":140,"featured_media":375,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-22","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-3"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v19.11 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>The Mobility of Facts - Bloomberg Space<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.londonmithraeum.com\/bloomberg-space-archive\/the-mobility-of-facts\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Mobility of Facts - Bloomberg Space\" \/>\n<meta property=\"og:description\" content=\"[vc_row][vc_column][vc_column_text]Exhibition Dates: 30th September \u2013 17th December 2016 The Mobility of Facts brings together three highly idiosyncratic objects that challenge a conventional notion of sculpture as having fixed concrete form. 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